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Barbara Natoli


 


I spent my childhood in upstate New York during a time that encouraged imagination and creative jest, a time before TV became the passive companion. Creative activity was the mainstay of my entertainment, my only restriction being that whatever I used, I had to clean up. Clotheslines became circus tents, stores, houses and castles. Scraps of paper and art materials became pictures, sculptures and books galore. Everything became fodder for creating something.

My formal training, with a major in sculpture and a minor in education and gold & silversmithing, was at the State University of New York College at New Paltz.

Although I was sometimes forced to deter my artistic pursuits, they merely bided their time. Along my life’s designated path I’ve kept my sense of wonder, my willingness to experiment, my endless collection of ‘matter’ and my talent to listen. In my life and work I added form and color bit by bit using objects from the world. All my life’s experiences add unique energy to my work’s equation.

My early work was influenced by the cool and controlled northeast. Since my move to the Valley of the Sun my creations have warmed, influenced by the desert heat, it’s textures and by my interest in the southwest’s early culture and art. Continued growth has allowed me to have my creations accepted in galleries and juried shows.

I collect the materials I use in my art everywhere, from busy streets to cloistered mountains. I do not plan my work in the traditional sense, my collected ‘matter’ beckons to me and I follow it’s lead. Among all the unrelated objects a magical connection is somehow made and a new being evolves. Due to the immense variation of my raw materials, my art does not always follow a precise theme.

Each of my creations is it’s own unique being.